Dance Division Staff
Kathryn Wilkening comes to Metro Parks and Recreation from 92nd Street Y in New York City, where she served as manager and then assistant director of the 92nd Street Y Harkness Dance Center. While at 92Y, she coordinated a range of programs including a full schedule of adult, children and teen classes, three performance series, social dance parties, Dance Education Laboratory, Dance/Movement Therapy Training, a company-in-residence and a dance lecture series. She was also involved with the Arts Achieve project, funded by an Investing in Innovation five-year grant, partnering with Carnegie Hall, Cooper-Hewitt, Studio in a School, Arts Connection and the New York City Department of Education to assess and improve arts achievement of students in elementary, middle and high school and measure the impact of higher arts achievement on other subject areas. She was recently invited to serve on the editorial board of National Dance Education Organization’s new journal, Dance Education in Practice. Kathryn grew up in Franklin, TN and moved to New York to earn her bachelor’s degree in Dance Education from NYU’s Steinhardt School of Education. She served on the board of the American Dance Guild in 2003-2004 and co-chaired two annual conferences during that time. While working full-time at 92Y, she maintained an active performing, choreographing and teaching schedule. She presented work at the Ailey Citigroup Theater, Manhattan Movement and Arts Center, 92nd Street Y as part of the New York Jazz Choreography Project; at Brooklyn Arts Exchange and the Bushwick Starr as part of Alphabet Arts’ Puppets and Poets project; and presented her full evening work, Metamorphopolis, at Spoke the Hub after being selected as their 2010 Winter Follies winner. She created and hosted dance-a-raoke, a cabaret-style dance improv game show presented in 2009-2010 at 92YTribeca. She recently performed in Going to Tahiti’s original production of Bella’s Dream by Dana Boll and has performed with Renata Celichowska, Nancy Allison, Azul Dance Theatre, Mora XXIII in collaboration with members from The Hold Steady, Graceann Dorse, Nancy Smith, Amir Khosrowpour and Dave Broome, among others. She taught modern dance for children at 92Y and Spoke the Hub.
Ballet Master, Centennial Youth Ballet
Matthew Christensen, from Salt Lake City, UT, began his training in high school at the Ballet West Conservatory and received a full scholarship to the University of Utah, majoring in ballet performance. Two of his earliest and most influential teachers were NYCB principal dancer Conrad Ludlow and the late Willam F. Christensen. He has also studied with Marc Borchelt and Mark Lanham, both principal dancers with Ballet West, and was coached by Royal Ballet first soloist Elaine Thomas. Matthew accepted a contract with Indianapolis Ballet Theatre for his first professional job, where he danced both corps de ballet and soloist roles in ballets including the world premiere of 1001 Nights by Artistic Director Eldar Aliev. He was requested as the primary partner for principal dancer Tatiana Pali’s performance of the Rose Adagio in The Sleeping Beauty, and shared the stage with luminaries such as Evelyn Hart at the company’s gala performance honoring ballerina Irina Kolpakova. Matthew subsequently joined Eugene Ballet and was promoted to principal dancer in his second season there, performing both classical and contemporary roles including the Sugarplum Cavalier and Prince Désire, as well as roles in Artistic Director Toni Pimble’s Slipstream and Charles Bennett’s Dracula. Matthew married fellow company dancer Jennifer McNamara, and they joined Nashville Ballet where they frequently danced principal roles together. Matthew has been noted for his exquisite partnering skills and effortless technique in performances of the principal male roles in The Sleeping Beauty, Giselle, Scheherazade, Romeo and Juliet, and the late Michael Smuin’s Eternal Idol pas de deux. Matthew is currently on the faculty of the Harpeth Hall School of Dance; has taught and choreographed works for Northern Plains Dance, the Ensworth School of Dance, and the Vanderbilt Dance Program; and has been a guest artist and teacher at workshops and performances around the country. He was the 2005 recipient of the Tennessee Arts Commission’s Fellowship in Dance.
Carly Priscilla Hill
Centennial Youth Ballet Secondary Division, Creative Movement
Carly is a dance educator and choreographer in Nashville, TN. She is trained primarily in classical ballet and has also studied modern, jazz, and contemporary dance. Carly received her BFA in Dance Education from The University of Tennessee at Martin and her MA in Ballet Pedagogy from New York University in partnership with American Ballet Theatre. She is fully certified in ABT’s National Training Curriculum. Carly is currently a faculty member at Rejoice School of Ballet and Metro Parks Dance Division.
Contemporary Modern; Yoga for Adults
Director emeritus; Centennial Youth Ballet Primary Division
Shirley Blackburn holds degrees in dance (Stephens College, Columbia, MO) and English (University of Tennessee, Knoxville, TN). She recently retired as director of dance for the Metropolitan Board of Parks and Recreation, where she oversaw a multi-faceted program that included classes in ballet, creative rhythms, Flamenco, dance for musical theater, and tap as well as three performance groups: Centennial Youth Ballet, Music City Ballroom Kids, and Metro Parks’ Swinging Seniors. She reviewed dance for The Tennessean for 21 years and has contributed articles to professional dance publications including Pointe Magazine. She served on the board of the Tennessee Association of Dance for nine years and received that organization’s Margaret Martin Award for furthering the public image and accessibility of dance in Tennessee. She has studied ballet with Petrus Bosman, Bryan Koulman, John White, Robert Barnett, Manny Rowe, André Eglevsky, and Andrei Ustinov. Modern teachers include Harriette Ann Gray, David Wood, Ernest Morgan, Mary Anthony, Donna Rizzo, Yuriko Kikuchi, and Tom Pazik. She attended summer courses at American Dance Festival and Birmingham Southern College. She has completed teachers’ training courses at Canada’s Royal Winnipeg Ballet School (certificate) and Central Pennsylvania Youth Ballet (certificate). She has been certified in the Vaganova method of teaching ballet (Grades 1-3) by John White of the Pennsylvania Academy of Ballet. She currently teaches beginning level ballet for Metro Parks and Belmont University.
Windship Boyd is a dancer who has been teaching, performing and (especially) learning in West Africa since 2005. She has choreographed for dancers in Senegal and Burkina Faso and has hosted trips Guinea Conakry with Sory Diabaté to learn more about that culture and art.
Centennial Youth Ballet Primary Division
A Nashville native, Michal Christian danced with The Centennial Youth Ballet under the direction of Kathleen Callaghan. Michal earned a B.A in Dance from Belhaven University and a Pilates Certification through the Physical Mind Institute of New York. Since graduation in 2010, she has pursued a number of performance opportunities with regional companies in Jackson, Mississippi, Jerusalem, Israel, and with Fort Worth’s Ballet Concerto, where she danced professionally for three years. In 2013 Michal relocated back to Nashville and assumed a full-time teaching position with The School of Nashville Ballet. Currently Michal is pursuing her master’s degree at Belmont University and enjoys instructing in Centennial’s elementary division part-time.
Roxanne has loved dance since she was young, training in a variety of styles such as ballet, modern, jazz, lyrical, tap, and hip hop. In 2012, she received her BFA in Dance with an Education minor from Jacksonville University. Since then, she has entertained as a high-kick dancer at Universal Studios Florida, danced on Chicago rooftops with Wake Up! Waltz, and performs with Epiphany Dance Partners here in Nashville. Roxanne enjoys sharing her love for dance with her students at two local dance schools, and is excited to be part of the wonderful program at Metro Parks Dance!
Nomalanga Eniafe teaches movements based upon traditional African dance forms. Her style and class regime is designed to bring forth new life and new energy through the power of rhythm and dance. Her students develop a new consciousness about themselves and traditional African culture. Nomalanga has traveled to Georgia, North Carolina, South Carolina, Ohio and Kentucky to teach and perform her art.
Lizzy was born in Vacaville, CA and grew up dancing at Vacaville Ballet Theatre. She moved to Nashville, TN in 2009 where she trained at Nashville Ballet until 2014, performing works by Paul Vasterling and Banning Bouldin. She lived in Vancouver, Canada for two years to dance at ArtsUmbrella under Artemis Gordon, performing works by Lesley Telford, Crystal Pite, Marie Chouinard, James Kudelka, and Medhi Walerski. She also had the opportunity to work with Cindy Salgado, Eric Beauchesne, Johnathan Alsberry, Tom Weinberger and Doug Letheren. Since joining New Dialect in 2016, Lizzy has participated in numerous outreach performances to the Nashville community. She has also collaborated in Third Voice as dancer and rehearsal assistant. She teaches and choreographs at dance studios across Middle Tennessee and has been commissioned by New Dialect to create a piece for Third Voice. At Grassland Dance Academy and Third Voice, she is collaborating with local composers to create original music for the performances. Outside the studio, she is pursuing an Accounting Degree at Belmont University and assists Kevin and Banning Bouldin administratively. She also works with New Beginnings, a local non-profit fitness and nutrition center for women.
Ballet for Adults
Andrea Vierra Greene, a native of Connecticut, trained at the Washington Academy of Performing Arts Conservatory High School and Atlanta Ballet Centre for Dance Education. Following four years with Atlanta Ballet, she went on to dance with Nashville Ballet for six years. After a year of freelancing, she returned to Nashville as a member of contemporary collective New Dialect. Through the years she performed in various works by John McFall, Paul Vasterling, and Banning Bouldin, among other directors and choreographers from around the world. Some memorable pieces in which she was featured include Vasterling’s Nutcracker and Macbeth, Dominic Walsh’s The Whistling, Sarah Slipper’s Post Cards from the Boys, Christopher Stuart’s Forever, You Said Forever, James Canﬁeld’s Jungle, McFall’s Nutcracker and The Sleeping Beauty, and the lead role in Bruce Wells’ Snow White. She has danced in numerous places across the country and abroad, and was fortunate enough to work with such notable artists as Alejandro Cerrudo, Brian Enos, Gina Patterson, Dawn Scannell, and Olivier Wevers. She has also danced with the NW Dance Project, National Choreographers Initiative, Texture Contemporary Ballet, Houston Grand Opera, Nashville In Motion, and has performed in several music videos. An emerging choreographer, she cofounded the choreography project Works In Progress, or W.I.P., in 2007. She has had the pleasure of creating works for Texture Contemporary Ballet, Nashville Ballet, Chattanooga Ballet, and Nashville Dance Center. She was awarded the Tennessee Arts Commission 2014 Individual Artist Fellowship in Choreography. And in 2016, she choreographed and danced in American Idol ﬁnalist Danny Gokey’s music video “Tell Your Heart to Beat Again”. Andrea is currently teaching, choreographing and dancing in Nashville, Tennessee.
A Wisconsin native, Becca began dancing at age four and trained at the Milwaukee Ballet School and the UNC School of the Arts. She worked as an apprentice with the Montgomery Ballet before moving to Nashville to work as a second company member at Nashville Ballet. There, she began work with Banning Bouldin and joined New Dialect in June 2013. Becca has participated in the Netherlands Dance Theatre summer intensive, the Gaga intensive, the chuthis Movement Intensive, and Springboard Danse Montreal. She works as an assistant to choreographer Banning Bouldin, and has performed in works by Alex Ketley, Peter Chu, Bryan Arias, Yin Yue, Idan Sharabi, Léon & Lightfoot, Marco Goecke, Belinda McGuire, Fernando Melo, and Katharine Hawthorne. She has taught master classes classes at Belmont University, Perry Mansfield, & SALT Contemporary Dance, and she regularly teaches around the city of Nashville at Harpeth Hall, Metro Dance, and The Ensworth School.
Andrea began her dance training 20 years ago at a studio in the northern suburbs of Chicago. There she studied jazz, ballet, lyrical, hip hop, and tap with several of Chicago’s finest instructors. Discovering her love for rhythm tap, Andrea pursued her passion for hoofing all the way to Chicago’s South Side. For two years she studied under Idella Reed-Davis at the Sammy Dyer School of the Theatre, one of the oldest known tap schools in the country. Before leaving for college, Andrea was honored to dance with M.A.D.D. Rhythms, a rhythm tap company comprised of some of the finest tappers in the business including Martin “Tre” Dumas III, Bril Barrett, and Jumaane Taylor. In 2007, Andrea received her Bachelor’s Degree in Musical Theatre and Dance from Palm Beach Atlantic University in South Florida. While there, she was featured in several musicals including “Me and My Girl”, “Kiss Me Kate”, and most notably as the Witch in “Into the Woods”. Acting as dance captain, Andrea also had the opportunity to reset the original Broadway choreography for “West Side Story”. Ms. Howat has been brought in as a substitute tap teacher for beginner through advanced levels both at the renown Joel Hall Dance Center and the Lou Conte Dance Studio in Chicago. In 2009, she directed and choreographed her first full-length musical, “Thoroughly Modern Millie” with the GreenRoom Theater. Relocating to Nashville, Ms. Howat has continued to hand down the tap legacy she has inherited by teaching at area dance studios. Andrea loves to laugh and is known in the studio for her enthusiasm for dance, rhythm, and music. She hopes to inspire others to create art that is excellent and to use their passion and abilities to make an impact beyond themselves.
Ballet for Adults
Rainbowdance, Dancing with Parkinson’s
Julia Marx holds an M.F.A in modern dance and has danced professionally for choreographers in Utah, San Francisco, and Boston. She has taught creative movement to young children for more than 15 years in schools, studios, after-school programs and community centers. Julia is passionate about teaching children to use the elements of dance to explore movement and their unique forms of expression. Julia is also a registered dance/movement therapist and mental health counselor with particular expertise working with children with disabilities and has completed the teacher training workshop offered by Dance for PD®.
Centennial Youth Ballet
Jennifer McNamara is from Syracuse, NY and received her early training at the Center of Ballet and Dance Arts, with further study at the School of Cleveland Ballet and the School of Richmond Ballet. She was a member of the company in Richmond for two seasons before joining the Eugene Ballet, where she danced for ten years, creating lead roles in many of director Toni Pimble’s works. From 2001 – 2007, Jennifer was a principal dancer with Nashville Ballet, especially noted for her portrayals in narrative and dramatic works. She is a certified Pilates instructor and teacher trainer for Balanced Body; she maintains a private and group practice at Simply Balanced and works specifically with dancers at her home studio. Previously on the faculty of the Ensworth School of Dance and the School of Nashville Ballet, Jennifer is delighted to be joining the faculty at Metro Parks’ Dance Program as well as the staff at the Nashville School of the Arts. She is currently pursuing her teaching certification through the National Dance Education Organization. Jennifer was the 2005 recipient of the Individual Artist Fellowship in Dance awarded by the Tennessee Arts Commission.
Creative Movement, Contemporary Modern
Before beginning her dance education, Emma trained as a rhythmic gymnast from 2004-2008 and competed in the Junior Olympics. Gymnastics introduced her to ballet, in term introducing her to everything the dance world has to offer. In 2009 she began taking ballet, modern, and jazz at the Franklin School of Performing Arts in Franklin, TN. In the summer of 2009 and 2010 she received a scholarship to BalletMET's summer intensive in Columbus, OH. In the fall of 2011 she was awarded the Kitty Sharp Scholarship from the Tennessee Association of Dance. That same fall, she was awarded Student of the Year at my home studio, FSPA. In the summer of 2011, she went to the UNCSA 4 week intensive as a contemporary major, where she received training from Trish Casey, Dianne Markham, and Juel Lane. In the fall of 2012, she had the honor being invited by FSPA to teach beginner modern, ballet, and creative movement, which sparked her love for teaching. In 2013, she spent six weeks in North Carolina at Duke University for the American Dance Festival's 80th Anniversary Season where she had the opportunity to train with teachers and choreographers that included Jesse Zarritt, Pamela Pietro, Michelle Gibson, and Twyla Tharp. After that incredibly enriching summer, she came back home to Nashville where she began training weekly with Banning Bouldin and is currently a part of her company New Dialect. She is excited to be a part of the growth of the company, and also to be a part of the growing dance community in Nashville!
Tony Perrin, a Los Angeles native, started his dance training at the age of seven. After working in the television industry during his formative years, Tony headed east to New York where he studied at NYU’s Tisch School of the Arts. While earning his BFA he worked with such choreographers as Doug Varone, Douglas Becker and Joy Kellman, to name a few. In addition he studied with Pennsylvania Ballet’s Rock School. Upon graduating from NYU in 1999, Tony had the privilege of working with the Michael Mao Dance Company, the North Eastern Ballet Company and as an Artist-In-Residence at The Yard on Martha’s Vineyard. After taking some time off from the dance community to pursue a career in the fashion industry, Tony is excited to once again be dancing and teaching. He looks forward to learning and growing as a dancer, and to bringing his energy, creativity and insights to dancers of all ages!
Centennial Youth Ballet Primary Division
Phylicia is a native of Santa Fe, New Mexico. She received her Bachelor degree in Fine Arts at the University of Arizona in 2011. She is currently an artist working with New Dialect Dance company under the direction of Banning Bouldin. She has had the privilege of working with Ronn Stewart and Cocodāco Dance Project, Kibbutz contemporary dance company, Catherine Cabeen - Hyphen and Moving People Dance. She has had the opportunity to work with artists such as Rami Be’er, Donald Mckayle, Robert Moses, Gail Gilbert, Kevin Iega Jeff, and Bobby Mc Ferrin. Phylicia has taught at renowned programs such as The Nashville Ballet, The Joffrey Ballet Academy Chicago, The Youth American Grand Prix, Northwestern University, The Hispanic Family Foundation Baila program, Foster Dance Studios, Ensworth High School, and Stage Right Performing arts. She continues to find inspiration through experimental movement and improvisation.
Community Centers and NAZA Program
Centennial Youth Ballet Primary Division